The sequence uses the same music as in the game – written and performed by Gustavo Santaolalla – and the original logo remains, too. Look carefully, and you might spot the fungi morph into a map of the US, a city skyline, a screaming face or two human figures – signs of hope in the darkness. ![]() Various types of fungi slink rapidly across the screen, spreading outwards and upwards, a microcosm of the natural world consuming everything it comes across – beautiful, yet devastating. But for those who'd never played the game, the show's opening credits gave them a few clues. An adaptation of a hugely successful video game, the show's set-up was already familiar with many. In the case of The Last of Us, which premiered last month, that world was a post-apocalyptic landscape ravaged by a fungal pandemic which turns much of the population into zombie-like creatures – part human, part terrifying mushroom. Those 60 seconds at the start of an episode establish a mood, and prepare you for the world you're about to enter. We've come a long way from Dallas's three-way split-screen character shots – as iconic as that was.Īs the amount of TV on offer gets increasingly overwhelming, creators and networks want their shows to have a point of difference – right from the beginning. Or the trippy CGI animation of dystopian workplace drama Severance, a standalone work of art of its own.ĭespite the ubiquity of the "Skip Intro" button (which Netflix says its users press 136 million times a day) – or maybe because of it – opening credit sequences are increasingly unskippable. Or Succession's montage of grainy Roy family home-video footage, accompanied by Nicholas Brittell's Emmy-winning score. See the recent series of The White Lotus, featuring a 90-second-sequence of Italian frescoes packed with metaphors and clues for the series that became as much of a talking point as the show itself – and a theme song that has become an unlikely club anthem. Great television shows stick in your memory, but so do their opening credits – and, right now, we're in a golden age for them. Mad Men's faceless businessman falling from the sky, past skyscrapers and advertising billboards. ![]() ![]() Tony Soprano cruising through New Jersey in his Chevy, cigar hanging from his mouth. Carrie Bradshaw in a tank top and tutu getting splashed by a passing bus.
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